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  • The Wisdom of Dan Zanes

    Brian Braiker | Mar 1, 2008 04:15 PM


    So anyway. Back to Dan Zanes. Last time, I promise. As it happens, I interviewed Zanes in his home last year. We had initially planned to interview a bunch of dads--famous and semi-famous and not-famous--to go along with this article I wrote last year about being a stay-at-home dad (for 9 months, which still counts. Right? Kinda?). In the end we didn't have enough room to include everyone we had wanted to include. This happens more than we would like it to.

    I showed up on his doorstep--the very doorstep in the "Jump Up" video, my kid's fave--prepared (and kind of hoping) to find out that his whole I-am-a-down-to-earth-warm-and-thoughtful-guy-who-really-does-like-kids-despite-being- a-Grammy-winning-musician-with-excellent-suits-and-cool-hair shtick was all a ruse. Part of me wanted him to be ill-tempered and abusive -- bitter that he never had the success with his (frankly, excellent) '80s band the Del Fuegos that he's enjoying today. I wanted him to loathe children. I couldn't wait to explode the myth and write about what a freakin' jerk Dan Zanes is. But, alas, he was candid and charismatic to the core. Maybe he turned on the charm because he knew I'm a reporter and he's an image-crafting pro (that hair doesn't happen by accident, I'd wager). But, uh, I kind of doubt he was being insincere.
     
    In fact ... how shall I put this? Now I have a crush on him. Which is awkward. Riding the subway back to my office, I wanted to gin up an excuse to schedule our next meeting. I wanted to be his friend. I wanted to move in with him. Or at least stalk him in a non-bunny boiling way. (Dan, if you're reading this, please reconsider the restraining order! Call me! Is this getting creepy? Sorry!)

    Anyway, here are the key quotes from the interview. I was going to spin this into a profile, but these notes are already a year old and I didn't record the conversation, increasing the likelihood I'd get something wrong. So let's just feed these raw tidbits into the Internets and let them fly away home, if you'll allow the mangled Frankenmetaphor.


    On his own (self-described) WASPy New England upbringing:
    "There was a boho feeling in the air. I don't know if it was always family first. It was for my mother though. I think my old man did the best he could do. I don't know that his upbringing was especially stable."
    "There wasn't any long-term male parenting in my situation."

    On raising his daughter in New York:
    "I dug it. I loved going to the playground."
    "I see a lot of good role models when I look around me. I do see the fathers who work long hours and maybe see their kids at the end of the day. That doesn't resonate with me."
    "Changing diapers in the park you stop trying to look cool. I have compassion for the awkwardness we all share from time to time."

    On the West Indian nanny scene:
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  • Adventures in Rhythm

    Brian Braiker | Oct 13, 2007 02:22 PM

    Back when the Breeder was living in Washington, DC (long before, in fact I had actually, you know, bred), I volunteered for a while at the Smithsonian Folkways record label. Their archivist, a music savant named Jeff Place, was methodically transferring the collection's back-catalogue from crumbling acetate reels onto CD. Basically we volunteers sat with him, occasionally popping a beer, listening to brilliant old recordings. Nice work if you can get it.

    Anyway, one Folkways artist I had certainly heard of but had failed at that point to fully appreciate was Ella Jenkins. This year Jenkins is celebrating her 50th anniversary with the label. A lot of noise has justifiably been made about a recent cohort of children's musicians who actually make music that's palatable to parents. What we tend to forget is that Jenkins, 83, has been at it all along (Dan Zanes, however brilliant, owes a tremendous debt to the foundations she laid).

    In November Folkways will release a tribute DVD, "cELLAbration Live!," featuring like-minded artists such as Pete Seeger and Sweet Honey in the Rock. I, Breeder recently chatted with Jenkins about what she's learned in half a century of recording, and performing, her brand of warm, sophisticated children's music. Excerpts:

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