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<?xml-stylesheet type="text/xsl" href="http://blog.newsweek.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The Gold Digger : Best Director</title><link>http://blog.newsweek.com/blogs/thegolddigger/archive/tags/Best+Director/default.aspx</link><description>Tags: Best Director</description><dc:language>en</dc:language><generator>CommunityServer 2.1 SP2 (Debug Build: 2.18)</generator><item><title>A Contender, For Sure</title><link>http://blog.newsweek.com/blogs/thegolddigger/archive/2007/11/15/a-contender-for-sure.aspx</link><pubDate>Thu, 15 Nov 2007 05:53:33 GMT</pubDate><guid isPermaLink="false">544c64cf-7058-4151-925a-a0fd041e73dd:70351</guid><dc:creator>Ramin Setoodeh</dc:creator><slash:comments>0</slash:comments><comments>http://blog.newsweek.com/blogs/thegolddigger/comments/70351.aspx</comments><wfw:commentRss>http://blog.newsweek.com/blogs/thegolddigger/commentrss.aspx?PostID=70351</wfw:commentRss><description>&lt;p&gt;&lt;br&gt;&lt;img src="http://www.blog.newsweek.com/photos/thegolddigger/images/70352/original.aspx" align="texttop" height="280" hspace="5" width="420"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;"The Diving Bell and the Butterfly" is&amp;nbsp;the best movie I've seen (so far) this year. I just came back from the premiere at New York's Ziegfeld theater, and there wasn't a dry eye in the house. It's the&amp;nbsp;true story of Jean-Dominique Bauby, the Elle editor who was left paralyzed after a stroke, and yet he&amp;nbsp;devises a system to&amp;nbsp;communicate by blinking his one good eye.&amp;nbsp;Although it sounds grim, it's also uplifting--in a way that the Academy&amp;nbsp;won't be able to resist, even if it's in French (and not eligible for best foreign film, because France submitted "Persepolis" instead).&amp;nbsp;Actually, I think "Diving Bell" will be this year's&amp;nbsp;"Letters&amp;nbsp;From Iwo Jima," the movie that took everyone by surprise last year,&amp;nbsp;only with more nominations.&lt;/p&gt;
&lt;p&gt;Let me&amp;nbsp;count the ways. Best picture, for sure. Best actor, probably, for Mathieu Amalric. Best supporting actor, maybe, for Max von Sydow. Best screenplay,&amp;nbsp;definitely,&amp;nbsp;for Ronald Harwood&amp;nbsp;who adapts an unadaptable&amp;nbsp;book. And best director, hopefully, for Julian Schnabel. Throw in a cinematography nomination, and that's&amp;nbsp;six categories.&amp;nbsp;I'm right about this, I promise.&lt;/p&gt;&lt;img src="http://blog.newsweek.com/aggbug.aspx?PostID=70351" width="1" height="1"&gt;</description><category domain="http://blog.newsweek.com/blogs/thegolddigger/archive/tags/Best+Picture/default.aspx">Best Picture</category><category domain="http://blog.newsweek.com/blogs/thegolddigger/archive/tags/Best+Director/default.aspx">Best Director</category><category domain="http://blog.newsweek.com/blogs/thegolddigger/archive/tags/Best+Screenplay/default.aspx">Best Screenplay</category><category domain="http://blog.newsweek.com/blogs/thegolddigger/archive/tags/Best+Actor/default.aspx">Best Actor</category><category domain="http://blog.newsweek.com/blogs/thegolddigger/archive/tags/Best+Supporting+Actor/default.aspx">Best Supporting Actor</category><category>Blog: The Gold Digger</category></item></channel></rss>